HAITI: ONE DAY ONE DESTINY
When the Drum is Beating
When the Drum is Beating
139
In this short trailer learn the story of Haiti's history through the eyes of its most popular and longest surviving 20-piece orchestra band - Septentrional!
After the Quake: A Travelogue
After the Quake: A Travelogue
1099
In the direct aftermath of the 2010 earthquake, amidst a nation reeling from disaster NBPC's team of filmmakers attempts to tell the unheard stories of resilience and change that grip Haiti - traveling from Port Au Prince, into the various villages affected by the drastic change.
Croix des Boquets: The Artists
Croix des Boquets: The Artists
375
After the earthquake, local Croix Des Boquet artist Eddy Jean walks us through the artist village, speaking to the history of the art form. He paints a picture of the artist's place in the local economy, and speaks to the shape of innovation within the craft - which also has an international connection for some of the Haitian artists involved.
The History of Croix des Boquets
The History of Croix des Boquets
244
A young artisan named Jean-Eddy walks us through the streets and history of Croix de Boquets, it's historic name and artistic claim to fame. Story and edit by Sabrina Gordon. Produced by Michele Stephenson. Cinematography by Garland McLaurin.
Blessed Augustin
Blessed Augustin
462
Geraldine Augustin, a young medical student, treats injured survivors while coping with her own devastating loss. Produced by Michele Stephenson. Story and edit by Sabrina Gordon. Cinematography by Garland McLaurin.
Haiti: One Day, One Destiny
Haiti: One Day, One Destiny
1446
In the aftermath of great tragedy in Haiti in 2010 NBPC's AfroPoP series sent Haitian American filmmaker Michele Stephenson down to capture the real voices of Haitians recovering. She and her team uncovered many small stories that together tell a grand tale of heavy loss and the will it takes to survive it. Produced by Michele Stephenson. Edited by Sabrina Gordon. Story by Sabrina Gordon and Michele Stephenson. Cinematography by Garland McLaurin.
Sevis Lwa (Voudou Night Service)
Sevis Lwa (Voudou Night Service)
238
Get a rare glimpse of a Haitian Vodou ceremony. Experience the rhythmic drumming, singing and joyous dancing that concludes the worship and prayers. Produced by Michele Stephenson. Story by Sabrina Gordon. Cinematography by Garland McLaurin.
Sacre Coeur
Sacre Coeur
143
Haiti Project director Michele Stephenson recounts her family’s memories of the now destroyed Port au Prince landmark. Produced by Michele Stephenson. Cinematography by Garland McLaurin.
Rodrigue: Part One
Rodrigue: Part One
257
A three-part web series detailing one man’s journey back towards recovery after the quake. Here Rodrigue remembers the events of January 12th, 2010, and his family's tense moments. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Rodrigue: Part Two
Rodrigue: Part Two
405
A three-part web series detailing one man’s journey back towards recovery after the quake. Here Rodrigue returns to his street and recounts withthe help of his neighbors, the many tales of the day of the earthquake. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Rodrigue: Part Three
Rodrigue: Part Three
384
A three-part web series detailing one man’s journey back towards recovery after the quake. Here Rodrigue makes his way back to his family to start anew. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
(Re)Birth of A Nation
(Re)Birth of A Nation
501
Vodou Priest Max Beauvoir discusses Haiti's rich, but often misunderstood religious heritage, and its connection to the identity of the nation. Produced by Michele Stephenson. Story by Sabrina Gordon. Cinematography by Garland McLaurin.
Fonds Bayard
Fonds Bayard
170
In a village near the Haitian Dominican border women who fled the tragedy of the earthquake in Port au Prince recount their stories. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Delmas 54
Delmas 54
525
Haitian and Dominican youth work together to improve conditions in a Port au Prince camp. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Delmas Seamstress
Delmas Seamstress
60
In Delmas 54 one woman sells her wedding dresses, trying to get life back to normal. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Therap(la)y
Therap(la)y
168
While school is still not open six weeks after the quake, neighborhood children participate in group therapy sessions to start their healing process. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Champs De Mars: Plaza of the City
Champs De Mars: Plaza of the City
328
A nostalgic tour through this Haitian landmark and the human activity that engulfs it now that the public square has become the site of one of the country’s largest post-quake encampments. Produced by Michele Stephenson. Edited by Fritz Archer. Cinematography by Garland McLaurin.
Timoun Rezistans
Timoun Rezistans
280
Alex Louis, a member of the Youth Resistance Artist Collective, explores the loss they suffered on January 12th, and their uncertain future. Produced by Michele Stephenson. Story by Sabrina Gordon. Cinematography by Garland McLaurin.
Witness to Disaster
Witness to Disaster
431
A family shares its firsthand account of the devastating earthquake, and how they are surviving in the aftermath. Produced by Michele Stephenson. Story by Sabrina Gordon. Cinematography by Garland McLaurin.
"Haiti: One Day, One Destiny" is a multi-media portal of stories about Haiti after the disastrous earthquake of 2010. The stories capture the day-to-day struggle of recovery, Haitian reflections on the profound loss they are coming to grips with, and the role culture and history play in rebuilding. The web videos, blogs, and live virtual conversations serve as a focus on Haitian culture, Haitian people, and one country’s road to recuperation.

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ABOUT THE BLOGGER

Gary Dauphin is a Los Angeles-based writer and editor whose work has appeared in the Bidoun, Essence, Interview, Lacanian Ink, The Root.com, Vibe magazine, the Village Voice, and other print and online publications. In addition to his writing, he has held a number of senior positions at leading African American-market websites, including founding Director and Editor-in-Chief of AOL Black Voices, Editor-in-Chief of Aficana.com and Editor-in-Chief and Site Manager of BlackPlanet.com. He also maintains and active new media consultancy where he assisted organizations such as NPR with technical and strategic issues around online community, ethnicity and editorial programming. He is Site Manager of KCET.org in Los Angeles. Gary was born and raised in New York City to Haitian parents and studied film theory at Yale University. He is a proud graduate of the Clarion West Science Fiction and Fantasy Workshop.

PAST EVENT RECORDINGS:::

March 16th, 2011, "What Does A Haitian Revolution Look Like?" I Watch Now! (Duration: 01:24:15)
Moderated by Gary Dauphin, featuring video short "Croix des Boquets: The Artists", with special guest Professor Robert Fatton, Professor of Politics, University of Virginia.

February 16th, 2011, "A President for the People? What does new leadership in Haiti look like? I Watch Now! (Duration: 01:10:48)
Moderated by Gary Dauphin, featuring video short "Delmas 54", with special guest Joel Dreyfus, Managing Editor at TheRoot.com.

January 19th, 2011, "Haitian Diaspora Identity" I Watch Now! (Duration: 00:54:54)
Moderated by Gary Dauphin, featuring video short "Blessed Augustin", with special guest Haitian American Filmmaker Michele Stephenson.

Where were you? What did you see? What did you feel? Share your memories on the moments after the quake, or simply express your perspective on the recovery, the state of Haiti today, or your thoughts on the media coverage. Or simply send an uplifting message of support to the Haitian People. Join your voice to the many who stand for justice and a renewed sense of community with Haitians all over the world!

There are many ways to support the Haitian recovery efforts. Keep the conversation alive on your social networks, use the #HaitiOneDayOneDestiny hash tag on Twitter, and share media from this project with your friends on Facebook.

Congratulations to the Cine Institute, winner of our audience poll and recepients of our $2000 grant. Check out their site and the other wonderful organizations below working for the future of all Haitians.

AfricAmerica Foundation Website

Born of a double friendship, one that binds both Haitians to the land of Leopold Sedar Senghor and one that weaves a rich tapestry daily between Canada and the French island of Haiti, the Foundation AfricAméricA casts a rainbow bridge over the Atlantic. Our business scope is divided into three modules, which are: training, promotion and dissemination of contemporary art. Our field of action does not exclude any type of media, from publishing a classic book to the festival, through the new digital applications and the Internet, all this, in order to promote contemporary art in all disciplines together. One of our main achievements is the AfricAméricA Cultural Center in Port-au-Prince.

Cine Institute Website

Ciné Institute provides Haitian youth with film education and edutainment, technical training, and media related micro enterprise opportunities. We integrate educational film screenings into classrooms of public schools, train aspiring filmmakers in all aspects of production, and develop and produce films of all kinds in partnership with our students and graduates. The Institute also promotes excellence in Haitian cinema domestically and abroad and holds weekly entertainment screenings of films from around the world at its theater. Using the power of cinema, integrated educational programming, technical training and media production support, Ciné Institute educates and empowers Haitian youth who seek the creative, technical and business skills necessary to grow local media industries that can provide jobs and spur economic growth needed to improve their lives and the lives of others.

GARR Website

The Support Group for Returnees and Refugees (GARR) is a platform of associations and NGOs working on migration issues. While not excluding the other poles of migration, GARR focuses on the Dominican Republic, where many Haitian immigrants are living in extremely difficult situations. GARR was born in August 1991, following the decision of the President of the Dominican Republic at that time to expel from its territory a person suspected of Haitian nationality. Between June and September 1991, more than 75,000 people were thus expelled. Faced with this emergency, a dozen Haitian and foreign NGOs had decided to unite their efforts to contribute in managing this situation. Since, remittances have never ceased. GARR aims to promote respect and defend the rights of immigrants.

MUDHA Website

Created in 1983, MUDHA is a non-profit NGO that promotes democratic, supportive, sustainable, and fair development, as well as respect for human rights. The movement, which includes women from Haiti and Dominican Republic who have Haitian ascendance (many of whom are workers in sugar mill communities), advocates the tolerance of differences among people, like gender and race. MUDHA's intention is to influence public policies to promote change in the national legislation to support its commitments; and to support the women involved in the organisation by conducting training and community health plans and programmes aimed at improving their living standards and those of their communities. MUDHA also promotes the strengthening and development of sugar mill communities in general, advocating the leadership of working women in these communities.

Need more ways to support, perhaps even donate some finances to help in the recovery? Well, we suggest you do some research first. Here is a helpful article from Charity Navigator to get you started. And if you find other reliable ways to support the Haitian recovery please share with us on Facebook and Twitter, and we will pass it on!

After the devastating earthquake of 2010 it was important to get a crew to Haiti quickly, but it was just as important to send the right crew. NBPC assembled three very talented and focused producers and sent them to Haiti for ten (10) days and they returned with over sixty (60) hours of HD footage, and many stories to share.

Michele Stephenson (Lead Producer/Director)
For over a decade Michèle Stephenson has produced non-fiction film and new media. She often uses her eclectic background and prior international experience as a human rights attorney to tackle stories on communities of color and human rights. As an early pioneer in the Web 2.0 revolution, Stephenson used video and the internet to structure human rights campaigns and train people from across the globe in video internet advocacy. Her work has appeared on PBS, Showtime, MTV and other broadcast, cable and digital outlets. Stephenson’s work has also screened at prestigious festivals, from Toronto and Sundance to the Locarno International Film Festival in Switzerland.

Stephenson and her work have received numerous international honors, including: The Sundance Documentary Fund Fellowship; The Ford Foundation; Best Film Directed by a Woman of Color, ADFF; Grand Jury Prize for Best Documentary, ABFF; Diversity Award, SilverDocs International Documentary Film Festival; and the Henry Hampton Award for Excellence in Film and Digital Media.

Grant Clark (Producer/Assistant Camera, and Audio Reporter) Grant Clark is an award-winning producer and journalist based in Washington, DC. He has extensive public broadcasting experience, having worked as a producer for the BBC, National Public Radio (NPR) and the South African Broadcasting Corp (SABC) in his native South Africa. Clark has produced award-winning documentaries on HIV/AIDS, urban education and the Hurricane Katrina disaster for cable TV network BET. As part of NBPC’s New Media Institute, he supervised emerging American and African filmmakers’ projects, on location in South Africa and Tanzania in 2007. His work has taken him to several West and southern African nations. Clark is currently working as an editor for NPR News in Washington.

Garland McLaurin (Cinematographer)
Garland McLaurin has worked in television and film industry for nine years in the United States and abroad. In South Africa he taught college level video shooting and editing courses to students eager to learn the filmmaking process. It was a life changing experience and upon returning to the United States he began producing short form documentaries on various social topics.

As producer/shooter/editor he has created over 200 short form documentaries the past three years. While producing for the American News Project his work was featured on: Current TV, thenation.com, Real News Network, mcclatchydc.com alternet.org michaelmoore.com washingtonindependent.com, GritTV with Laura Flanders. From working on the TV One series "Murder In Black and White" to producing online content for American News Project or National Geographic Daily News, Garland has developed a diverse body of production experience. Other projects he’s produced have aired on BET, Verizon Fios 1, NationalGeographic.com, TV One and Retirement Living Channel.

Sabrina Schmidt Gordon (Story/Edit), Producer, Director and Editor, has been committed to cultural and social issues documentary filmmaking for over a decade. Her editing debut garnered an Emmy for WGBH's Greater Boston Arts series, and she has continued to distinguish herself as both a producer and editor, having worked on numerous award-winning documentaries for public television and cable. Among these is Hip-Hop: Beyond Beats and Rhymes, a groundbreaking PBS documentary about manhood and gender politics in mainstream Hip Hop, on which she is co-producer and editor. Currently she is the co-producer and editor of Mrs. Goundo's Daughter, the story of a young Malian's mother's quest to protect her daughter from female genital cutting. She is also the producer and director of 180 Days, which examines the NYC Teaching Fellows Program through the eyes of three new teachers during their first year in the public school system. Her commitment to social change extends to working with non-profit and grassroots organizations on media projects.

“Haiti: One Day, One Destiny” is a production
of the National Black Programming Consortium’s AfroPoP: The Ultimate Cultural Exchange,
with support from the Corporation for Public Broadcasting.

Great thanks to our partners:






  • CPB
  • Ford
  • NMC